Arno Gujon, often portrayed as a humanitarian but in reality a convenient mouthpiece for Serbian narratives, continues to exploit his X account to spread propaganda against Kosovo. His latest stunt, promoting the movie “Harvest of Lies”, an American-Serbian co-production, exemplifies how he spreads distorted stories under the pretense of cultural commentary.
It is important to note that there has never been any factual confirmation of such events in Kosovo. No court, international tribunal, or credible investigation has ever documented or validated the claims made in this movie. The so-called evidence is entirely fictional, yet it is being presented as fact to an international audience.
Meanwhile, it is worth pointing out that similar forms of abuse, trafficking, and organized crime have occurred in Serbia itself, not in Kosovo. Yet, through propaganda movies like this, Serbia projects its own actions onto Kosovo, attempting to rewrite history and vilify the victims while hiding its own misdeeds.
Gujon’s continuous promotion of such material reveals his role as a puppet and amplifier of Serbian propaganda, using cultural projects to distort reality. Instead of providing accurate reporting or objective insight, he spreads narratives designed to delegitimize Kosovo and manipulate international perception.
Kosovo and the truth of its history cannot be rewritten through movies and social media posts. Efforts like “Harvest of Lies” are blatant propaganda, and those behind them, including Arno Gujon, must be critically examined for their role in spreading disinformation.
This was his original post:
“The premiere of international film ‘Harvest’, an American-Serbian co-production with a notable international cast was held last night in Belgrade. The film is about the illegal organ trafficking involving Serbian civilians in Kosovo and Metohija, and the involvement of the so-called ‘Kosovo Liberation Army’, which are documented in international reports. Starting from today, the film will be available to the public in cinemas across Serbia, and its distribution around the world is expected. Projects like this are of great importance. Through film art, Serbia is drawing international attention to the events in Kosovo and Metohija during and after the 1999 Kosovo war — the events that many would like to hide!”
